Mostrando las entradas con la etiqueta Literatura. Mostrar todas las entradas
Mostrando las entradas con la etiqueta Literatura. Mostrar todas las entradas

23 sept 2009

ANNE SEXTON: Wanting to die


Since you ask, most days I cannot remember

 

I walk in my clothing, unmarked by that voyage.

Then the almost unnameable lust returns.

 

Even then I have nothing against life.

I know well the grass blades you mention,

the furniture you have placed under the sun.

 

But suicides have a special language.

Like carpenters they want to know which tools.

They never ask why build.

 

Twice I have so simply declared myself,

have possessed the enemy eaten the enemy,

have taken on his craft, his magic.

 

In this way, heavy and thoughtful,

warmer than oil or water,

I have rested, drooling at the mouth-hole.

 

I did not think of my body at needle point.

Even the cornea and the leftover urine were gone.

Suicides have already betrayed the body.

 

Still-born, they don't always die,

but dazzled, they can't forget a drug so sweet

that even children would look on an smile.

 

To thrust all that life under your tongue!

that, all by itself, becomes a passion.

Death's a sad bone; bruised, youd'say,

 

and yet she waits for me, year after year,

to so delicately undo an old wound,

to empty my breath from its bad prison.

 

Balanced there, suicides sometimes meet,

raging at the fruit, a pumped-up moom,

leaving the bread they mistook for a kiss,

leaving the page of the book carelessly open,

something unsaid, the phone off the hook

and the love, whatever it was, an infection.   











p.r. 

WELDON KEES: A Distance From The Sea



To Ernest Brace

 

"And when the seven thunders had uttered their voices, I was

about to write: and I heard a voice from heaven saying unto

me, Seal up those things which the seven thunders uttered, and

write them not."                           --REVELATIONS, x, 4.

 


That raft we rigged up, under the water,

Was just the item: when he walked,

With his robes blowing, dark against the sky,

It was as though the unsubstantial waves held up

His slender and inviolate feet. The gulls flew over,

Dropping, crying alone; thin ragged lengths of cloud

Drifted in bars across the sun. There on the shore

The crowd's response was instantaneous. He

Handled it well, I thought--the gait, the tilt of the head, just right.

Long streaks of light were blinding on the waves.

And then we knew our work well worth the time:

The days of sawing, fitting, all those nails,

The tiresome rehearsals, considerations of execution.

But if you want a miracle, you have to work for it,

Lay your plans carefully and keep one jump

Ahead of the crowd. To report a miracle

Is a pleasure unalloyed; but staging one requires

Tact, imagination, a special knack for the job

Not everyone possesses. A miracle, in fact, means work.

--And now there are those who have come saying

That miracles were not what we were after. But what else

Is there? What other hope does life hold out

But the miraculous, the skilled and patient

Execution, the teamwork, all the pain and worry every miracle involves?

 

Visionaries tossing in their beds, haunted and racked

By questions of Messiahship and eschatology,

Are like the mist rising at nightfall, and come,

Perhaps to even less. Grave supernaturalists, devoted worshippers

Experience the ecstasy (such as it is), but not

Our ecstasy. It was our making. Yet sometimes

When the torrent of that time

Comes pouring back, I wonder at our courage

And our enterprise. It was as though the world

Had been one darkening, abandoned hall

Where rows of unlit candles stood; and we

Not out of love, so much, or hope, or even worship, but

Out of the fear of death, came with our lights

And watched the candles, one by one, take fire, flames

Against the long night of our fear. We thought

That we could never die. Now I am less convinced.

--The traveller on the plain makes out the mountains

At a distance; then he loses sight. His way

Winds through the valleys; then, at a sudden turning of a path,

The peaks stand nakedly before him: they are something else

Than what he saw below. I think now of the raft

(For me, somehow, the summit of the whole experience)

And all the expectations of that day, but also of the cave

We stocked with bread, the secret meetings

In the hills, the fake assassins hired for the last pursuit,

The careful staging of the cures, the bribed officials,

The angels' garments, tailored faultlessly,

The medicines administered behind the stone,

That ultimate cloud, so perfect, and so opportune.

Who managed all that blood I never knew.

 

The days get longer. It was a long time ago.

And I have come to that point in the turning of the path

Where peaks are infinite--horn-shaped and scaly, choked with

 

thorns.


But even here, I know our work was worth the cost.

What we have brought to pass, no one can take away.

Life offers up no miracles, unfortunately, and needs assistance.

Nothing will be the same as once it was,

I tell myself.--It's dark here on the peak, and keeps on getting

darker.

It seems I am experiencing a kind of ecstasy.

Was it sunlight on the waves that day? The night comes down.

And now the water seems remote, unreal, and perhaps it is.










p.r. 

12 sept 2009

Fragmento de Película de Eliseo Subiela

Este es un fragmento de la película "El lado oscuro del corazón" de Subiela, donde se recita un poema de Mario Benedetti. Lo encontré publicado en el Blog de el Puente y me parecio excelente.


4 sept 2009

100 Novelas en Inglés



En el 2006 (si no me equivoco) la revista Time publicó una lista de las (según ellos) 100 mejores novelas escritas en inglés desde 1923 hasta el presente. De las que leí, puedo asegurar que merecen estar seleccionadas. Les dejo acá la lista.

A - B
The Adventures of Augie March de Saul Bellow
All the King's Men de Robert Penn Warren
American Pastoral de Philip Roth
An American Tragedy de Theodore Dreiser
Animal Farm de George Orwell
Appointment in Samarra de John O'Hara
Are You There God? It's Me, Margaret de Judy Blume
The Assistant de Bernard Malamud
At Swim-Two-Birds de Flann O'Brien
Atonement de Ian McEwan
Beloved
de
Toni Morrison

The Berlin Stories
de
Christopher Isherwood

The Big Sleep
de
Raymond Chandler

The Blind Assassin
de
Margaret Atwood

Blood Meridian
de
Cormac McCarthy

Brideshead Revisited
de
Evelyn Waugh

The Bridge of San Luis Rey
de
Thornton Wilder


C - D

Call It Sleep
de
Henry Roth

Catch-22
de
Joseph Heller

The Catcher in the Rye
de
J.D. Salinger

A Clockwork Orange
de
Anthony Burgess

The Confessions of Nat Turner
de
William Styron

The Corrections
de
Jonathan Franzen

The Crying of Lot 49
de
Thomas Pynchon

A Dance to the Music of Time
de
Anthony Powell

The Day of the Locust
de
Nathanael West

Death Comes for the Archbishop
de
Willa Cather

A Death in the Family
de
James Agee

The Death of the Heart
de
Elizabeth Bowen

Deliverance
de
James Dickey

Dog Soldiers
de
Robert Stone


F - G

Falconer
de
John Cheever

The French Lieutenant's Woman
de
John Fowles

The Golden Notebook
de
Doris Lessing

Go Tell it on the Mountain
de
James Baldwin

Gone With the Wind
de
Margaret Mitchell

The Grapes of Wrath
de
John Steinbeck

Gravity's Rainbow
de
Thomas Pynchon

The Great Gatsby
de
F. Scott Fitzgerald


H - I

A Handful of Dust
de
Evelyn Waugh

The Heart Is A Lonely Hunter
de
Carson McCullers

The Heart of the Matter
de
Graham Greene

Herzog
de
Saul Bellow

Housekeeping
de
Marilynne Robinson

A House for Mr. Biswas
de
V.S. Naipaul

I, Claudius
de
Robert Graves

Infinite Jest
de
David Foster Wallace

Invisible Man
de
Ralph Ellison


L - N

Light in August
de
William Faulkner

The Lion, The Witch and the Wardrobe
de
C.S. Lewis

Lolita
de
Vladimir Nabokov

Lord of the Flies
de
William Golding

The Lord of the Rings
de
J.R.R. Tolkien

Loving
de
Henry Green

Lucky Jim
de
Kingsley Amis

The Man Who Loved Children
de
Christina Stead

Midnight's Children
de
Salman Rushdie

Money
de
Martin Amis

The Moviegoer
de
Walker Percy

Mrs. Dalloway
de
Virginia Woolf

Naked Lunch
de
William Burroughs

Native Son
de
Richard Wright

Neuromancer
de
William Gibson

Never Let Me Go
de
Kazuo Ishiguro

1984
de
George Orwell


O - R

On the Road
de
Jack Kerouac

One Flew Over the Cuckoo's Nest
de
Ken Kesey

The Painted Bird
de
Jerzy Kosinski

Pale Fire
de
Vladimir Nabokov

A Passage to India
de
E.M. Forster

Play It As It Lays
de
Joan Didion

Portnoy's Complaint
de
Philip Roth

Possession
de
A.S. Byatt

The Power and the Glory
de
Graham Greene

The Prime of Miss Jean Brodie
de
Muriel Spark

Rabbit, Run
de
John Updike

Ragtime
de
E.L. Doctorow

The Recognitions
de
William Gaddis

Red Harvest
de
Dashiell Hammett

Revolutionary Road
de
Richard Yates


S - T

The Sheltering Sky
de
Paul Bowles

Slaughterhouse-Five
de
Kurt Vonnegut

Snow Crash
de
Neal Stephenson

The Sot-Weed Factor
de
John Barth

The Sound and the Fury
de
William Faulkner

The Sportswriter
de
Richard Ford

The Spy Who Came in From the Cold
de
John le Carre

The Sun Also Rises
de
Ernest Hemingway

Their Eyes Were Watching God
de
Zora Neale Hurston

Things Fall Apart
de
Chinua Achebe

To Kill a Mockingbird
de
Harper Lee

To the Lighthouse
de
Virginia Woolf

Tropic of Cancer
de
Henry Miller


U - W

Ubik
de
Philip K. Dick

Under the Net
de
Iris Murdoch

Under the Volcano
de
Malcolm Lowry

Watchmen
de
Alan Moore & Dave Gibbons

White Noise
de
Don DeLillo

White Teeth
de
Zadie Smith

Wide Sargasso
Sea de
Jean Rhys